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Edition:	Harper Perennial Modern Classics (Paperback)
Author:	Richard Wright
Published:	April 2008
Pages:	544
ISBN 10:	0061148504
New:	$8.49 (50)
Used:	$6.11 (75)
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Native Son (1940) is a novel by American author Richard Wright. The novel tells the story of 20-year old Bigger Thomas, an African American living in utter poverty. Bigger lived in Chicago's South Side ghetto in the 1930s. Bigger was always getting into trouble as a youth, but upon receiving a job at the home of the Daltons, a rich, white family, he experienced a realization of his identity. He accidentally kills a white woman, runs from the police, rapes and kills his girlfriend and is then caught and tried. "I didn't want to kill", Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill."

Wright gets inside the head of "brute Negro" Bigger, revealing his feelings, thoughts and point of view as he commits crimes and is confronted with racism, violence and debasement. The novel's treatment of Bigger and his motivations conforms to the conventions of literary naturalism.

While not apologizing for Bigger's crimes, Wright is sympathetic to the systemic inevitability behind them. The novel is a powerful statement about racial inequality and social injustices so deep that it becomes nearly impossible to determine where societal expectations/conditioning end and free will begins. As Bigger's lawyer points out, there is no escape from this destiny for his client or any other black American, since they are the necessary product of the society that formed them and told them since birth who exactly they were supposed to be. "No American Negro exists," Wright once wrote "who does not have his private Bigger Thomas living in his skull." Frantz Fanon discusses this feeling in his 1952 essay L'Experience Vecue du Noir, or The Fact of Blackness. "In the end", writes Fanon, "Bigger Thomas acts. To put an end to his tension, he acts, he responds to the world's anticipation."

Plot summary

Book One: Fear

Bigger Thomas wakes up in a dark, small room at the sound of the alarm clock. He lives in one room with his brother, Buddy, his sister, Vera, and their mother. Suddenly, a rat appears. The room turns into a maelstrom and, after a violent chase, Bigger kills the animal with an iron skillet and terrorizes Vera with the dark body. Vera faints and the mother scolds Bigger, who hates his family because they suffer and he cannot do anything about it.

That evening, Bigger has to see Mr. Dalton for a new job. Bigger's family depends on him. He would like to leave his responsibilities forever but when he thinks of what to do, he only sees a blank wall. He walks to the poolroom and meets his friend Gus. Bigger tells him that every time he thinks about whites, he feels something terrible will happen to him. They meet other friends, G. H. and Jack, and plan a robbery. They are afraid of attacking a white man but none of them wants to say so. Before the robbery, Bigger and Jack go to the movies. They are attracted to the world of wealthy whites in the newsreel and feel strangely moved by the tom-toms and the primitive black people in the film. But they feel they do not belong to either of those worlds. After the cinema, Bigger attacks Gus violently. The fight ends any chance of the robbery occurring. Bigger is obscurely conscious that he has done this on purpose.

When he finally gets the job, he does not know how to behave in the big house. Mr. Dalton and his blind wife use strange words. They try to be kind to Bigger but they make him very uncomfortable because Bigger does not know what they expect of him. Then their daughter, Mary, enters the room, asks Bigger why he does not belong to a union and calls her father a "capitalist." Bigger does not know that word and is even more confused and afraid to lose the job. After the conversation, Peggy, the Irish cook, takes Bigger to his room and tells him that the Daltons are a nice family but that he must avoid Mary's communist friends. Bigger has never had a room for himself before.

That night, he drives Mary around and meets her boyfriend, Jan. Jan and Mary infuriate Bigger because they talk to him, oblige him to take them to the diner where his friends are, invite him to sit at their table, and tell him to call them by their first names. At the diner they buy a bottle of rum. Bigger drives throughout the park, and Jan and Mary drink the rum, and fool around in the back seat. Then Jan and Mary part, but Mary is so drunk that Bigger has to carry her to her bedroom when they arrive home. He is terrified someone will see him with her in his arms, but he cannot resist the temptation of the forbidden and he kisses her.

Just then, the bedroom door opens. It is Mrs. Dalton. Bigger knows she is blind but is terrified she will sense him there. He tries to make Mary still by putting the pillow over her head. Mrs. Dalton approaches the bed, smells whiskey in the air, scolds her daughter, and leaves. Mary claws at Bigger's hands while Mrs. Dalton is in the room, trying to alert Bigger that she cannot breathe. Just then, Bigger notices that Mary is not breathing anymore. She has suffocated. Bigger starts thinking frantically. He decides he will tell everyone that Jan, the communist, took Mary into the house. Then he thinks it will be better if Mary disappears and everyone thinks she has gone for a visit. In desperation, he decides to burn her body in the house's furnace. He has to cut her head off in order to fit her into the furnace, but finally manages to put the body inside. He adds extra coal to the furnace, leaves it there to burn, and goes home.

Book Two: Flight

When Bigger talks with his family and meets his friends, he feels different now. The crime gives meaning to his life. When he goes back to the big house, Mrs. Dalton notices her daughter's disappearance and asks Bigger about the night before. Bigger tries to point suspicion toward Jan. Mrs. Dalton sends Bigger home for the day, and Bigger decides to visit his girlfriend, Bessie. Bessie mentions a famous case in which the kidnappers of a child first killed him and then asked for ransom money. Bigger decides to do the same. He tells Bessie that he knows Mary has disappeared and will use that knowledge to get money from the Daltons, but in the conversation he realizes Bessie suspects him of having done something to Mary. Bigger goes back to work. Mr. Dalton has called a private detective, Mr. Britten, and this time, sensing Britten's racism, Bigger accuses Jan on the grounds of his race (he is Jewish), his political beliefs (communist), and his friendly attitude towards black people. When Britten finds Jan, he puts the boy and Bigger in the same room and confronts them with their conflicting stories. Jan is surprised by Bigger's story but offers him help.

Bigger storms away from the Dalton's. He decides to write the false kidnap note when he discovers that the owner of the rat-infested flat his family rents is Mr. Dalton. Bigger slips the note under the Dalton's front door and then returns to his room. When the Daltons receive the note, they contact the police, who take over the investigation from Britten, and journalists soon arrive at the house. Bigger is afraid, but he does not want to leave. In the afternoon, he is ordered to take the ashes out of the stove and make a new fire. He is so terrified that he starts poking the ashes with the shovel until the whole room is full of smoke. Furious, one of the journalists takes the shovel and pushes Bigger aside. He immediately finds the remains of Mary's bones and an earring in the stove. Bigger flees.

Bigger goes directly to Bessie and tells her the whole story. Bessie realizes that white people will think he raped the girl before killing her. They leave together, but Bigger has to drag Bessie around because she is paralyzed by fear. When they lie down together in an abandoned building, Bigger rapes Bessie, and he decides that he will have to kill her. He hits Bessie's head with a brick several times, and then throws her through a window, into an air shaft, but he forgets that the only money he had was in her pocket, a symbol of her value to him.

Bigger runs through the city. He sees newspaper headlines concerning the crime and overhears different conversations about it. Whites call him "ape." Blacks hate him because he has given the whites an excuse for racism. But now he is someone; he feels he has an identity. He will not say the crime was an accident. After a wild chase over the rooftops of the city, the police catch him.

Book Three: Fate

During his first few days in prison, Bigger does not eat, drink, or talk to anyone. Then Jan comes to see him. He says Bigger has taught him a lot about black-white relationships and offers him the help of a communist lawyer, Max. In the long hours Max and Bigger pass together, Max learns about the sufferings and feelings of black people and Bigger learns about himself. He starts understanding his relationships with his family and with the world. He acknowledges his fury, his need for a future, and his wish for a meaningful life. He reconsiders his attitudes about white people, whether they are prejudiced, like Britten, or accepting, like Jan.

At Bigger's trial, Max tells the judge that Bigger killed because he was cornered by society from the moment he was born. He tells them that a way to cut the evil sequence of abuse and murder is to sentence Bigger to life in prison and not to death. But the judge apparently does not sympathize and sentences Bigger to the electric chair. In the last scene, while he waits for death, Bigger tells Max, "I didn't know I was really alive in this world until I felt things hard enough to kill for 'em." Bigger then tells him to say "hello" to Jan. For the first time, he calls him "Jan", not "Mister", just as Jan had wanted. This signifies that he finally sees whites as individuals, rather than a looming force. During their final moments of discussion, while Bigger is on death row, Max tries to summarize how white society has conditioned great anger and effeteness into Bigger and other oppressed impoverished people, but Bigger somewhat misinterprets this and twists it into a different message in order to comfort himself. He claims that "What I killed for must've been good!" and thus exemplifies what Max has just tried to explain to him-- that white corporate society is keeping the poor people angry, and ignorant as to why they are angry. Bigger, however, does not comprehend this for exactly those same reasons, and Max becomes quite shaken and teary-eyed before the two shake hands and Max leaves, and Bigger is alone.

References

Wikipedia